Cinematic storyboard

Create a cinematic storyboard / visual moodboard in a tall vertical composition, approximately 4:7 aspect ratio. The entire image should feel like continuous frames from a quiet East Asian art-house drama, following the same female protagonist throughout every scene. MAIN CHARACTER LOCK: A woman around 26–30 years old, fair natural skin tone, slender build, soft wavy medium-length black hair, quiet and introspective expression. Natural face, no polished model posing. Her identity, facial features, hairstyle, age, and body proportions must remain consistent in every frame. Wardrobe is understated and realistic: an off-white knit base layer, a khaki loose-fitting trench coat, dark-gray straight-leg trousers, and light-brown flat leather shoes. LAYOUT: Four cinematic frames arranged vertically on a light gray-beige editorial background, with generous clean negative space between some frames. No text, captions, logos, or graphic elements. FRAME 1 — Mountain Trail: An extremely wide cinematic shot at blue hour. The woman stands alone on a stone mountain path, positioned toward the left side of the frame, gazing toward the layered forests in the distance. A large expanse of overcast, soft sky occupies the upper portion of the composition, with hazy outlines of distant woods and a thin mist drifting through the mountains. Desaturated blue-gray palette, quiet and melancholic. A faint evening breeze in the forest, a still and vacant atmosphere. 35mm film look. FRAME 2 — Old Teahouse: A horizontal cinematic frame inset within the cream-colored background. The same woman sits by the window in an old wooden teahouse, opposite an older man. They sit quietly across a wooden tea table, emotionally restrained, with no intense expressions. Beyond the wooden lattice window is the warm golden light of evening, revealing the eaves of old street buildings. Wooden tea table, rustic ceramic teacups, a simple and vintage interior. Symmetrical two-shot, carrying a faint sense of distance and tenderness. FRAME 3 — Old Town Ferry Terminal: A large cinematic frame filling most of the width. The same woman walks slowly toward the camera at an antique old-town ferry terminal. She is positioned at the center of the frame, clearly prominent, while passersby move around her with slight motion blur. An old wooden ferry boat is moored to one side, with white-walled waterside old houses in the background. Soft overcast diffuse light, desaturated warm tones, documentary realism. 50mm lens feel, shallow depth of field, a solitary and serene atmosphere amidst the bustling market streets. FRAME 4 — Behind the Scenes: A smaller horizontal image positioned toward the lower-right of the cream-colored canvas, leaving large negative space on the left. At dusk, the same woman is shown from a rear three-quarter angle standing beside an outdoor monitor, watching the footage of herself standing on the mountain trail from Frame 1. A few crew members appear only as soft dark silhouettes in the background. A cool dusk sky, the monitor screen being the brightest light source in the frame. Quiet and contemplative, the atmosphere of an art-house short film shoot. VISUAL STYLE: High-end East Asian art-house cinema Photorealistic Natural available light Subtle 35mm film grain Soft highlight roll-off Slightly underexposed Muted blue-gray, khaki, charcoal, and warm amber palette Realistic skin texture Gentle halation Light atmospheric haze Natural imperfections Restrained and nuanced emotional expression Subtle shallow depth of field Authentic documentary-style framing No exaggerated cinematic effects No glossy commercial look No AI-perfect faces The finished image should look like a professional director's visual treatment or film-pitch moodboard, with all four frames belonging unmistakably to the same film and the same female protagonist. NO TEXT. NO LOGOS. NO WATERMARKS. NO DUPLICATED PEOPLE. NO CHARACTER IDENTITY CHANGES. NO FASHION-EDITORIAL POSING.